Jazz drummer 
Curtis Nowosad
 has established himself as one the most popular musicians in the 
Winnipeg jazz scene, seemingly gigging all the time with a crop of 
young, rising players, and many of the local veterans, as well as the 
University of Manitoba's Jazz Studies professors.
My evening at 
The Park Theatre Café,
 a refurbished movie theatre that has become one of the hottest venues 
for live music of all genres, began with my arrival about 15 minutes 
before the doors were opened. I had a feeling the show would sell out 
and I wanted to sit in a particular location. As I handed over my $10 
ticket, I also paid the special pre-sale price of $10 for the CD, 
Nowosad's first, entitled 
The Skeptic & The Cynic.
As the venue began to fill up, I noticed a few fans spontaneously 
clapping as Nowosad strolled from the stage to the floor. I recognized 
several people from other jazz shows. The audience was comprised of 
teenagers and people who may have been in their 70s and above. This just
 confirms for me that jazz is still growing its fan base.
When the band finally took to the stage, they were warmly greeted by 
the audience. I recognized everyone, save for the alto saxophonist, 
Craig Bailey,
 who recently joined the U of M faculty as a jazz educator. In fact, 
five of the seven performers are U of M jazz educators, including 
Bonness, trumpeter 
Derrick Gardner, guitarist Laurent Roy and the head of the Jazz Studies program, Professor 
Steve Kirby on bass. Tenor saxophonist 
Niall Bakkestad-Legare is another popular young player on the local scene.
As soloists, I was particularly bowled over by the force and 
authority of Gardner's trumpet. He earned some of the loudest ovations 
from the audience all evening. Roy, who was known by his Anglicized name
 "Larry" for a long time, was stellar on electric guitar, deftly 
releasing notes with the creativity and spontaneity that many guitarists
 aspire to but few possess. Bassist Kirby performed with enthusiasm, 
bringing excitement to an instrument that is sometimes performed without
 enough flair. Kirby's performance was totally involved, physically 
moving around and giving the audience another worthwhile focal point.
Bailey's alto sax was given the type of workout that can only be 
expected from someone of his pedigree, who has put in the endless hours 
of performance with cream-of-the-crop players, over many years. His 
sound is potent but also fluently soulful. Bakkestad-Legare confirmed 
for me that he is more than capable of sharing the stage with masterful 
musicians. His craft is always on the up-rise every time I see him.
Bonness showed his sense of humour by injecting a few (piano) notes 
here and there as Nowosad was speaking, sometimes mimicking the organ 
sound at hockey games. The audience enjoyed these moments and once 
again, they were spellbound by his performance. I've never been a fan of
 the sound of electric pianos, but I do understand how they are far 
easier to schlep around than acoustic ones. Having heard Bonness on a 
grand piano before, I felt as if I was missing out on hearing a superior
 piano sound.
Nowosad's command of the drums displays his skills for subtlety and 
nuance, as well as strong fluidity when he gets into a groove. Given the
 quality of the musicians he plays with, I expect him to continue to 
develop his style and craft.
To add to the diversity of the sounds that evening, local hip-hop 
singer/poet Ismaila Alfa appeared as a special guest and impressed me 
with his performance. It's not the kind of thing you would see at a 
traditional jazz show, but times are changing. (Witness the almost 
unheard of popularity for the Robert Glasper Experiment's 
Black Radio CD.)
Numerous times throughout the show, the affable Nowosad recognized 
his bandmates for the evening and was gracious as he thanked them as 
well as his other critical influences in his life, including all his 
teachers, the Park Theatre, and finally, his wife.
At the end of the band's performance, it came as no surprise that the
 audience quickly rose to their feet and offered up a heart-felt 
standing ovation. This was a terrific evening, exactly what I was 
expecting, and an important and well derserved milestone for Curtis 
Nowosad.